Horses c. 19th century

Curator: Robert Hills' "Horses" presents us with a study of three equines, rendered with striking detail. They almost seem to breathe, don't they? Editor: The density of those lines! The way they define musculature speaks to the labor expected of these animals, a material translation of power. Curator: I'm struck by the tenderness, not labor. It’s a quiet moment—the horses huddling together, sharing warmth, a secret. Look how each inclines its head. Editor: But that's the trap of pastoral romanticism. Hills, of course, was a master of etching, and his process reveals so much about class and the use of animals. Curator: It’s a testament to his talent that he captures both the physical and the emotional lives of these creatures, even if society viewed them more simply. Editor: Yes, both talent and the social context in which he, and they, existed. I always come back to how intertwined labor and art are here. Curator: Well, I am rather glad we can still pause to consider such things, and the humanity – and animality – within them. Editor: Agreed. The work is a reminder of how integral these creatures are to our history and material existence, no matter how idyllic it may appear.