Les Délégués du club central socialiste ont repoussé... by Honoré Daumier

Les Délégués du club central socialiste ont repoussé... 1849

0:00
0:00

drawing, lithograph, print

# 

portrait

# 

drawing

# 

lithograph

# 

print

# 

caricature

# 

romanticism

# 

19th century

# 

genre-painting

# 

realism

Copyright: National Gallery of Art: CC0 1.0

Curator: Let's consider this lithograph from 1849 by Honoré Daumier, titled "Les Délégués du club central socialiste ont repoussé…" quite a mouthful, I admit! It offers Daumier’s incisive perspective on the political climate of the time. Editor: Oh my! Look at those faces! So expressive, especially the woman with the newspaper—she practically radiates… I don’t know, a delightful fury? And the nervous little glancing! What a cluster! Curator: Precisely. Daumier used caricature as a tool to critique social and political issues, in this case, the rejection of Jeanne Deroin's candidacy by a socialist club. You see, prints like these played a crucial role in shaping public opinion. Editor: "Oh! les aristos!" indeed, as the caption below suggests. There's real venom here. Look how he renders their clothes; the dramatic robes feel so ill-fitting! It underscores a lack of sincerity, perhaps, or mocks the socialist ideal against supposed reality. The third woman has something close to pain written all over her, very human. Curator: And let’s not forget Daumier’s mastery of lithography. The stark contrasts, the expressive lines, all serve to heighten the emotional impact. The drawing feels immediate, almost like a snapshot taken directly from the streets of Paris. It’s as though he wants us to feel complicit in this silent judgement. Editor: A total indictment. Though to be honest, my eyes are drawn to the details - the dark, nervous lines framing their gazes, the chaotic dress - almost swallowing them in dark, heavy fabrics. Daumier evokes feelings of a secretive gathering. It feels less about Socialism and more a denouncement about any ‘elite’ circles which fail their own promises. I love how relevant art like this can remain, even today. Curator: It reminds us that the issues Daumier engaged with – power, equality, representation – continue to resonate profoundly today, ensuring his art remains urgently relevant, yes, even for contemporary audiences. Editor: So even as times change, and social and political circles keep spinning, Daumier is here to make you laugh while you sigh in resignation, "Some things will never change."

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.