Bergmeer in het Noorse landschap 1909

Editor: We're looking at "Bergmeer in het Noorse landschap" by Geldolph Adriaan Kessler, created around 1909. It's a beautiful landscape photograph. I'm immediately struck by the subdued, almost monochrome palette; it evokes a feeling of quiet solitude. What can you tell me about this work? Curator: This photograph really speaks to the rising popularity of landscape imagery at the turn of the century. It showcases nature as this sort of sublime, untouched space, especially appealing to an increasingly urbanized society. Photography like this shaped perceptions of Norway. The subtle tones you noticed are due to the photographic processes available at the time. Do you think its portrayal of the natural world idealizes or accurately represents the landscape? Editor: I see what you mean. Maybe a bit of both? There’s definitely an element of romanticism, like a staged scene, almost, but perhaps the sheer scale is accurate? Curator: Exactly. And that perceived staging is crucial. Early tourism and the growth of photographic societies were interconnected. Images like these, intended for widespread consumption, helped construct a certain *image* of Norway, a carefully curated one for public view, think of postcards… promoting tourism, reinforcing particular notions of national identity, influencing both internal and external views. It’s fascinating how technology and societal shifts influence artistic production. Editor: Wow, I never considered the connection to tourism! That really changes how I see the photo. Thanks so much for the insight. Curator: My pleasure. Looking at art with an eye for its social context opens up entirely new dimensions. It gives me plenty to think about, too.