Exercise with Canon, Preparation 1635

Curator: This tiny etching is titled "Exercise with Canon, Preparation" by Jacques Callot. He created it sometime between 1592 and 1635, using etching. Editor: The cannon immediately grabs the eye, doesn't it? It’s so meticulously rendered, almost lovingly detailed, and contrasted against the figures. It feels very formal and almost like it could have been made today. Curator: Cannons in art often symbolized power, aggression, but also protection. The military context suggests a defense of territory, or perhaps, more broadly, the defense of established order. Editor: Hmm, I see it as more playful or, dare I say, naive. The figures seem somewhat comical with their oversized hats. The gesture pointing at the cannon also might signify they were not so sure what to do with this weapon. Curator: Maybe, but consider the socio-political context! Callot lived through the Thirty Years' War. A cannon wouldn't be cute. It's a symbol of devastation, regardless of the size or context. Editor: Perhaps. But that's why the juxtaposition makes it so poignant. The seeming naivete in the scene, against the backdrop of such conflict, underscores the tragic absurdity of war.