-Uncle Sam's Three-Coin Register Bank (registering)- still bank by Durable Toy and Novelty Corporation

-Uncle Sam's Three-Coin Register Bank (registering)- still bank c. 1930 - 1960

0:00
0:00

metal

# 

metal

# 

appropriation

# 

united-states

Dimensions: 6 3/16 x 4 9/16 x 5 1/4 in. (15.72 x 11.59 x 13.34 cm)

Copyright: No Known Copyright

Editor: Here we have "Uncle Sam's Three-Coin Register Bank," a metal still bank created sometime between 1930 and 1960 by the Durable Toy and Novelty Corporation. It's a fascinating little object, with its austere, almost severe, machine-like quality. The black paint gives it a gravity that's interesting for a child's toy. What structural elements stand out to you? Curator: Primarily, I am drawn to the geometric simplicity of the object. Notice the dominance of rectangular forms – the overall shape, the base, the display window, even the labels. The eye is constantly led by horizontal and vertical lines that are sharply contrasted by the subtle curvature of the cash register housing. What does this interplay of forms evoke? Editor: It makes me think of the streamlined, efficient aesthetic of the Machine Age. Is that intentional, or are we just projecting that onto it? Curator: Function undeniably dictates the form, and form echoes financial and industrial prowess. Observe how the placement of text—"Nickels Dimes Quarters," "Amount Deposited"—guides the user's interaction with the object. The labels become integral components, not merely decoration. Are they effective as a semiotic signifier? Editor: Absolutely! The clarity of the text and the directness of its placement emphasize utility and straightforwardness. Curator: Indeed. Moreover, consider the bank’s self-referential quality, both mimicking and miniaturizing the function of a true cash register, as well as using the name "Uncle Sam." The dark color, while appearing somber now, likely projected an image of trust and security at the time. Editor: I see it now—the design serves as a mini-monument of capitalist industry! I appreciate your focus on how these components interact! Curator: I am simply decoding the language embedded in the object’s form and text.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.