Printed Cotton c. 1942

Julie C. Brush made this printed cotton artwork, and although the date of its creation is unknown, Brush was active in the late 19th and early 20th centuries. This piece shows a repeating floral pattern with a limited palette of browns, creams, and reds, likely achieved through block printing or a similar technique. The process involves carving a design into a block, applying dye, and pressing it onto the fabric. This labor-intensive method has a long history, preceding industrial printing. The textile's inherent qualities, like the absorbency of the cotton and the texture of the weave, influence how the dyes take to the material and the final appearance of the print. The choice of a repeating pattern speaks to the broader context of industrialization and the increasing availability of printed textiles for domestic use. Looking closely at the materials and the making illuminates the cultural significance of this printed cotton, bridging the divide between fine art and everyday design.