tempera, painting, textile
medieval
tempera
painting
textile
figuration
naive art
history-painting
international-gothic
Copyright: Public domain
Curator: Look at this, a miniature painting rendered in tempera and textile. "The Coronation of the Virgin" created around 1445 by Jean Fouquet. What's your initial reaction to it? Editor: I’m immediately struck by the use of textile... and by the almost hypnotic symmetry! It's both serene and slightly unsettling, isn't it? Curator: Unsettling, how so? For me, it is the epitome of devotional calm. It takes on a very hieratic presence with the throne-like structures, and Christ poised above Mary, crowning her. Editor: Well, those steps leading up to the coronation platform—they remind me of a production line, and what appear to be ranks of angel overseers! Fouquet uses textile details to emphasize that repeated motif across the levels... almost like wallpaper in an industrial building. It feels less heavenly than, well, manufactured. Curator: (Chuckles) An interesting, albeit provocative read. Remember that this dates to the International Gothic period. There's a focus on elongated figures, rich colors, and intricate details—typical of the era, wouldn't you agree? Editor: Yes, those luxurious blues and golds certainly catch the eye. I keep circling back to the gold. Was it laboriously applied with some tempera and textile bits acting as an affordable replacement for those who didn't have the coin for the more expensive stuff? What kind of resources went into it? That’s always the interesting bit for me, you see! Curator: True! And there's no discounting the symbolic weight, a pivotal scene in Christian iconography, promising salvation. Editor: Okay, salvation it is, though I'm here trying to calculate how many artist hours we're talking to create that degree of patterned artifice! A strange sense of wonder, indeed. It offers more than mere devotional viewing; a reflection on material ambition too, perhaps? Curator: Ultimately, this is an intriguing piece that continues to challenge our ideas on art and spirituality. Editor: It does indeed. Material culture rarely allows simple answers, which makes spending time with something like this that much more rewarding.
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