Dimensions: overall: 39.1 x 57.9 cm (15 3/8 x 22 13/16 in.) Original IAD Object: 18 1/2" high; 18 1/2" wide
Copyright: National Gallery of Art: CC0 1.0
Curator: Standing before us is an "Embroidered Stool Cover" from around 1939. It's a textile piece, likely fiber-art as well, meant to be decorative. Editor: It has an unexpected formality for a stool cover, almost like a heraldic crest. The stark contrast between the somber central panel and the vivid, almost aggressive red surrounding it really catches the eye. Curator: Precisely. Stool covers like these, made by Carmel Wilson and her contemporaries, reflect a broader trend. They offered an outlet for personal expression through needlework and craft while upholding conventional artistic norms. Editor: Let's examine some of the symbolic choices. Notice how the central dark area showcases a flower arrangement; flowers usually mean joy, beauty, transience of life. Curator: While you are right that the flowers hold traditional meaning, I suggest we consider the historical context as well. Craft production had an effect in its specific historical settings: What effect did textiles like this have on the individual household economy during wartime or the early postwar period? Editor: That’s a strong point. Seeing those flowers trapped inside this oval almost seems to highlight that postwar experience: Holding the beauty of a fleeting moment. Do you see anything similar? Curator: Yes, this era was marked by great changes, from family separation and women's changed role in society, through postwar reconstruction. While there were signs of hope, memories of times past lingered. So what might seem decorative on the surface served a deeper role – expressing the public role of textile in the rebuilding of home comforts, after austerity measures impacted personal freedom. Editor: How interesting. As a final point, perhaps the maker specifically selected and put into work flowers as a source of hope, in this specific combination, perhaps it carried emotional and historical memory that she desired? Curator: Fascinating perspectives, indeed. A craftwork, at first appearing like a simple embellishment, instead provides key points regarding society's values, expectations and even private matters.
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