This etching, made by M. W. Schmith, sometime between the late 17th and early 19th century, presents an intriguing glimpse into the world of intellectual identity. It depicts a figure, seen from behind, seated at a desk with books, but notably, the figure has an owl perched atop their head. The image creates meaning through a few visual codes. The books, quill and candlelight suggest study and scholarship. The figure's elaborate hairstyle and draped clothing evoke a sense of high social status. But the owl, traditionally a symbol of wisdom, and the title 'Anonymus' adds a layer of irony, perhaps even critique. Made in Denmark, this artwork may comment on the social structures of its time. Was it intended as a commentary on the sometimes pretentious nature of intellectual elites? Was it made in connection with an institution like a school or academy? To understand this work better, we might research the social history of Danish intellectual life and ask what role anonymity played in artistic or scholarly circles. Through such research, we can understand how social and institutional contexts shape artistic production.