Jagers by Johannes Tavenraat

Jagers 1840 - 1880

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drawing, ink, pen

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portrait

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drawing

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ink drawing

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narrative-art

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ink

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pen

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genre-painting

Dimensions: height 132 mm, width 165 mm

Copyright: Rijks Museum: Open Domain

Editor: This drawing, called "Jagers," by Johannes Tavenraat, made sometime between 1840 and 1880, depicts a group of men in what appears to be pen and ink. It's quite gestural and raw, but also, somewhat enigmatic. What strikes you about this piece? Curator: I'm drawn to the way the artist uses inexpensive materials – pen, ink, and what looks like simple lined paper. The roughness of the medium contrasts against the traditional theme of genre painting, and prompts us to consider artmaking within the reach of the working class, and what "hunting" could have meant for them. Does it represent physical labor, camaraderie, or something else entirely? Editor: That's interesting. I hadn't considered the material's accessibility affecting the subject. What does the choice of such modest materials contribute to our understanding of the piece? Curator: By using accessible materials, Tavenraat democratizes the artistic process, questioning the traditional boundaries of "high art" which usually demanded costly materials. Think of who would typically be portrayed in artwork using such expensive materials at this time, and consider Tavenraat's choice of the hunter— a subject often associated with folklore and the everyday life of commoners. Could Tavenraat have been exploring themes of national identity or a move to elevate these common individuals? Editor: I see. So it's less about the precise representation and more about exploring class and material limitations within the artistic process itself? It certainly changes my interpretation. Curator: Exactly. We must look beyond the surface depiction and see how Tavenraat's choice of materials reflects a larger dialogue about labor, value, and who gets to be represented in art. The artist is really speaking to the social conditions surrounding its production, don't you agree? Editor: Yes, absolutely. I’ll definitely look at other drawings with new eyes now, thinking about the means of production as much as the subject depicted. Curator: It’s precisely in understanding that materiality that we find a deeper appreciation for works like "Jagers".

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