Binnenplaats van een herberg by Auguste Boulard

Binnenplaats van een herberg 1881

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print, etching

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print

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etching

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old engraving style

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landscape

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genre-painting

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realism

Dimensions: height 188 mm, width 140 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, let's consider this—Auguste Boulard's "Courtyard of an Inn", dating back to 1881. An etching, isn't it fascinating how such detail can be rendered? Editor: My first impression is a dusty weariness, like travel-stained clothes after a long journey. The composition, with the arched gateway and looming tower, pulls you right into the heart of the scene. All the weary travellers! Curator: Exactly, that arched gateway… it really frames the everyday hustle. We're looking at a genre painting, one that's deeply rooted in Realism. And it's an etching! Imagine the layers of labor that go into creating something that’s almost photorealistic, pulling ink, wiping plates clean again. It gives me chills to think of how hard an artist had to work to get these perfect dark values using cross-hatching! Editor: True, it is rooted in observable reality, in a way it reflects both the romanticized notion of labour, like farmhands coming into town with their animals to seek accomodation and nourishment from the local innkeeper. But it speaks to me more of community, maybe. All these figures gathered, dogs milling about... perhaps this Inn is more than just lodging? Curator: A community hub, absolutely. Inns were crucial nodes, a place for news and connection. And Boulard uses such careful detail to portray this. Look closely at how the printmaking captures those minute tonal gradations, suggesting varying textures and depth in the weariness on these peoples' clothing! That harks to a certain materiality as well. What exactly is making them all appear as though they were pulled out of a bag? Is that Boulard reflecting on the material conditions that these labourers live under? Editor: Hmmm. Could be! This piece serves as an amazing portal into understanding 19th-century class relations! Seeing an artwork so dedicated to everyday people and the work that these everyday people commit themselves to gives me the willies. Curator: Yes, to experience such labor captured so delicately! That’s the quiet power of Boulard. Editor: Indeed! Something in the weight of their travel and working experience! A profound echo.

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