Ontwerpen voor kandelaars c. 1864 - 1894

These "Designs for Candlesticks," sketched by Henri Cameré, reveal more than mere functional objects. Notice how each design is crowned by cherubic figures. These motifs, innocent as they may seem, carry echoes of ancient cupids and putti, symbols of love and the soul, prevalent in classical art. Observe how the form of these figures has morphed across centuries. Initially, they were tied to pagan rituals, then reimagined by Christianity, and resurfaced in Renaissance art. The image also features grotesque masks, a nod to the darker side of the human psyche. These elements can evoke a powerful emotional response, touching upon the viewer's own subconscious fears and desires. The juxtaposition of cherubs and masks is a dance between innocence and primal instincts, love and fear. The recurring motif embodies the cyclical nature of symbols. It highlights how ancient motifs evolve, adapting to cultural shifts, and reemerging, illustrating our collective memory and subconscious.