Untitled 

Paul Ranson, a key figure in the Symbolist movement, made this untitled drawing using ink and watercolor on paper. Ranson was part of the Nabis, a group of Post-Impressionist avant-garde artists who advocated for art that was both symbolic and decorative. The artwork reflects fin-de-siècle anxieties around femininity and sexuality. The Symbolists often portrayed women either as ethereal muses or as dangerous, alluring figures; here, Ranson seems to be playing with the latter stereotype. The nude woman is encircled by serpents, cats, and vases, motifs that evoke a sense of mystery and exoticism. The stylized rendering of the figure and the rich, warm color palette create an intimate and sensual atmosphere. The drawing also demonstrates the Nabis’ interest in flattening the picture plane and emphasizing pattern and design. Ultimately, this piece is an interesting reflection on the changing representations of women in art at the turn of the 20th century, where the personal meets the societal.