Dimensions: 100 mm (height) x 138 mm (width) (bladmaal)
Waldemar Bøhme created this vignette using wood engraving, likely around the late 19th century. The scene depicts two cherubic figures engaged in what appears to be a scuffle. The title translates to "The Assault in the Mountains," an ironic contrast to the innocent figures and the common association of cherubs with peace and love. Made in Denmark, this piece likely reflects the cultural values and artistic trends of its time. During this period, vignettes were commonly used in books and periodicals, serving as decorative elements or illustrations. Bøhme, working within this institutional context, may have been commenting on social conflict or using satire to challenge conventional representations of innocence. Understanding the role of vignettes in 19th-century Danish publications and the broader socio-political context of the time, could offer further insight into the artist's intentions and the artwork's meaning. Such research could illuminate the role of art in reflecting and shaping social norms.
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