Portret van Christina Elisabeth van Ollefen-da Silva 1842 - 1887

Carel Christiaan Antony Last produced this print of Christina Elisabeth van Ollefen-da Silva, though the exact date remains unknown. The print offers insights into the representation of women and social class in 19th-century Netherlands. The lithograph's visual codes, such as the sitter's elegant dress and jewelry, signal her elevated social standing. This work can be situated within the context of the Dutch Golden Age, where portraiture served as a means for the bourgeoisie to assert their status and identity. In the absence of a precise date, we can look to sources like fashion trends and family records to contextualize the print. Archival documents and genealogical research might reveal more about Christina Elisabeth van Ollefen-da Silva's life and social milieu. This would illuminate the cultural values and power dynamics reflected in Last's portrait. The meaning of this portrait is contingent on such factors.