drawing, print, ink, engraving
portrait
drawing
medieval
narrative-art
pen drawing
figuration
ink
12_15th-century
cityscape
history-painting
northern-renaissance
engraving
miniature
Copyright: Public Domain
This is a striking engraving of Saint Catherine Reading, by the Monogrammist WAH. Here, Catherine, crowned and serene, is framed by a bustling city, yet she is set apart, absorbed in her book. At her feet lie a broken wheel and a sword, potent symbols of her martyrdom. The wheel, meant to torture her, shattered upon her touch—an echo of divine intervention found in myriad forms across cultures. Consider the Egyptian cartouche, where a king's name is encircled, protected, much like Catherine within the divine narrative. The sword, a symbol of finality, also resonates with ancient meanings—a protective emblem, like the Roman gladius, yet here, it signifies sacrifice. Such symbols aren't static; they evolve. The wheel, once a tool of torture, now speaks of Catherine’s triumph, a shift mirroring the transformation of the cross from an instrument of death to a symbol of redemption. This visual vocabulary taps into our collective memory, engaging us on a subconscious level. We see not just a saint, but the enduring power of faith and the cyclical nature of suffering and salvation.
Comments
Owing to its small format, this engraving—of which only a single print has survived—is well suited to being pasted in, for example, a prayer book. The saint sits on a grassy bank and reads a book, behind her a city (or sprawling castle complex) rendered with great fondness for detail. At her feet lie the instruments of her martyrdom. According to the legend, she was initially to be tortured on a wheel, which broke to pieces. In the end she was beheaded with a sword.
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