Huwelijk van Albrecht en Isabella van Oostenrijk te Valencia, rekenpenning geslagen op last van de Staten van Vlaanderen 1599
metal, relief
portrait
medieval
metal
relief
Dimensions: diameter 2.8 cm, weight 4.38 gr
Copyright: Rijks Museum: Open Domain
Curator: Here we have a fascinating commemorative medal, or rekenpenning, struck in 1599 to mark the marriage of Albrecht and Isabella of Austria. It is currently held at the Rijksmuseum. Editor: It's wonderfully tactile, isn’t it? You can almost feel the weight of the metal and imagine the labor involved in its creation. There's a powerful sense of how material and making come together here. Curator: Indeed. The materiality of metal lends a certain gravity to the piece, as it serves as a permanent record, symbolically set to endure. I find the symmetry in its design quite striking, bisected as it is to showcase the joining of two powerful figures. Note the careful arrangement of the profiles facing one another, visually uniting them within the frame of the coin. Editor: Absolutely. And that symmetry really drives home the idea of partnership, doesn't it? The clasped hands symbolize a working agreement between two aristocratic families. It's a fascinating artifact in terms of how it embodies the power relations of the era—from the mining of the metal to its transformation by skilled hands. Curator: Furthermore, examine how the artist presents the couple, their features are carefully rendered, projecting authority. Then there's the heraldic shield on the reverse; this isn’t merely decoration, but a statement of identity, a seal of dominion. Editor: But consider the distribution, its value not just symbolic. I see it less as pure artistry and more as evidence of an exchange of currency among ruling elites—material meant for strategic propagation and the consolidation of authority, with distributed economic control rooted in access and making of this propaganda. Curator: A valid perspective. Regardless, this little medal holds within it a nexus of artistry and history. Editor: A beautifully fabricated object rooted in the workings of its time, shaped by both aesthetic sensibilities and social conditions.
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