print, etching
narrative-art
etching
landscape
romanticism
cityscape
Dimensions: height 250 mm, width 350 mm
Copyright: Rijks Museum: Open Domain
This is Frans Arnold Breuhaus de Groot’s, ‘Kapotte tweemaster op hoge golven’, or ‘Broken two-master on high waves’, made with pen in the mid-19th century. During this period, marine painting was more than just about depicting ships; it became a canvas for exploring themes of human vulnerability against the backdrop of nature's overwhelming power. Here, Breuhaus de Groot captures a ship in distress. The broken mast and turbulent waves suggest a confrontation with forces beyond human control. What does it mean to witness something broken? Perhaps the artwork reflects the societal unease and shifting powers of the time, subtly critiquing the hubris of industrial progress. There’s a raw, visceral quality in the depiction of the ship's struggle. The viewer is invited into a moment of intense vulnerability. We are asked to reflect on our own relationship with the unpredictable nature of life.
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