Absalom consoles Tamar who is putting ashes on her head 1559
Dimensions: 202 mm (height) x 246 mm (width) (monteringsmaal), 204 mm (height) x 250 mm (width) (bladmaal)
Editor: We're looking at "Absalom Consoles Tamar Who Is Putting Ashes on Her Head," a 1559 engraving by Philips Galle, housed here at the SMK. There's a palpable tension, a moment frozen in time. What stories do you see unfolding here, what symbols stand out to you? Curator: It’s fascinating how Galle captures this scene from the Book of Samuel, rich in emotional and symbolic weight. Notice Tamar, the grieving figure, and the ashes signifying mourning. Ash is a very primal symbol, you know? What does it tell you about despair and atonement when employed in imagery? Editor: Well, the ash makes her look really defeated. It seems performative but sincere. I also notice that Absalom looks so self-assured. Curator: Precisely. Absalom stands as a figure of conflicted loyalty and a subtle sort of masculine pride – how is that confidence conveyed through his posture, his attire? Think about the context of 16th-century printmaking. Galle's audience would have recognized the theatricality of these symbols, the visual language of courtly drama but what sort of message would a typical 16th-century patron glean from this engraving? Editor: Maybe about familial honor? And about Absalom's role within the royal court? I’d say his protective role towards Tamar… Curator: Indeed, family, loyalty, and justice all play out on this small stage, hinting at greater political dramas beneath the surface. Editor: Looking at it again, I’m struck by the building behind them. Those statues overlooking the courtyard...are they just architectural details or do they tie into the scene? Curator: Clever observation. That background architecture with the figures embodies the stoicism admired in that time; a parallel to Absalom trying to regain calm from tragedy and perhaps a veiled reflection on the very nature of power, control, and resilience against adversity in a chaotic world. Editor: I never would have noticed that! It’s amazing how much symbolism can be packed into one print. Curator: Visual symbols communicate across generations and cultures – understanding them opens new layers to experience artworks like this.
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