Wellust (Luxuria) 1593

Editor: So, this is Jacob Matham's "Wellust (Luxuria)," an engraving from 1593, currently at the Rijksmuseum. My first impression is one of contained sensuality, even unease; the figure looks almost trapped despite the loose drapery. How would you interpret this work, considering its rather blatant subject matter? Curator: Oh, trapped is a great word for it! And you're right to pick up on the sensuality...it’s so carefully constructed, isn't it? Matham's work has this remarkable ability to blend the erotic with… well, let's call it existential pondering. The Mannerist influence here – the elongated limbs, the slightly theatrical pose – adds a layer of artifice. She's in a niche, yes, like a statue – but also presented *for* consideration. Editor: The combination of the nudity with those slightly vacant eyes is quite jarring, but those small emblems up top, are they family crests? Curator: Exactly! Those heraldic symbols inject an aristocratic air, suggesting this "luxuria" isn’t just base desire, but perhaps the leisure and privilege of the upper class. I feel that is typical of art that reflects this time. Are we meant to be titillated, or warned about moral corruption, or both? I love a bit of both in a work of art myself. Editor: I see what you mean; it becomes a critique and a celebration simultaneously! The contrast is really engaging, actually, once you start thinking about it. Curator: And that tension, that unresolved quality, I think that's where the lasting power of Matham lies. What seems initially a straightforward nude study unravels into something far more complex about the human condition. I can feel a good old song brewing in my artistic mind when seeing this... Editor: I completely agree! I went in expecting a simple depiction of lust, but I’m walking away with so much more. Thank you for enlightening me, really appreciate your personal approach. Curator: Pleasure to share the view! Always good to poke art in the eye...and find a new view to poke at next time!