Dimensions: support: 320 x 227 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is John Hamilton Mortimer’s "An Ecorché Carrying a Shield." The exposed musculature is striking, but the shield feels…unfinished, almost an afterthought. What do you make of this combination? Curator: It’s interesting you say that. Anatomical studies like this were common, but Mortimer's inclusion of the shield transforms it. It’s no longer just science; it implies purpose, perhaps a commentary on the idealized, masculine hero and the societal pressures of strength and protection. Do you think it elevates or diminishes the figure? Editor: I hadn't thought of it that way, but I think it elevates it; it makes the figure a symbol of something larger than simply anatomy. Thanks! Curator: My pleasure. It's a reminder that even the most technical studies can be interpreted through a socio-political lens.
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http://www.tate.org.uk/art/artworks/mortimer-an-ecorche-carrying-a-shield-t10126
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An 'ecorché' is plaster model of a human body with the skin removed, leaving the muscles displayed; such models allowed a close study of anatomy. Mortimer has used a very fine pen to depict the ecorché, working over the initial pencil underdrawing using light pen pressure. The ink has been applied in a dry scratchy manner with the pen not heavily loaded with ink. He has worked in short pen strokes describing the muscle formation with an economic use of line. Gallery label, August 2004