Rush Bottom Chair c. 1937

Here, we have Henry Meyers's "Rush Bottom Chair." Though undated, Meyers lived from 1855 to 1995, placing him within a period of immense social and technological change in the United States. This piece invites us to consider the intersection of craft, identity, and nationhood. The chair, seemingly a simple object, is adorned with decorative motifs that evoke a sense of American patriotism. The red, white, and blue emblem suggests a narrative of national identity, perhaps reflecting a desire to connect personal craftsmanship with broader cultural values. The "Rush Bottom Chair" invites reflection on the everyday objects that shape our understanding of home, belonging, and cultural identity.