Squatting cat 

Editor: This chalk and pencil drawing, “Squatting Cat” by Friedrich Wilhelm Hirt, likely created sometime in the 18th century, portrays exactly that – a cat curled up. There's an understated, almost humble quality to it. What do you make of it? Curator: Well, consider the rise of naturalism during the 18th century. Academic art shifted from grandiose, moralizing subjects to observed reality. Suddenly, everyday life – including cats! – became valid subjects for art. Do you see how this simple sketch reflects a change in what was considered worthy of artistic attention? Editor: That makes sense! So, the shift in subject matter reflects larger cultural values? Curator: Precisely. And, consider the role of drawing itself. During this period, sketching from life became central to artistic training, and often catered to upper classes. Animals, especially pets, appear in other drawings and paintings. Where do you think it was displayed and why? Editor: Possibly in a private collection of a wealthy person because cats might symbolize domesticity? Curator: Exactly. Art becomes enmeshed within systems of class, status, and even domestic life. The cat is not just a cat. Editor: So it becomes about more than just the representation of a fluffy cat, and more of a document showing cultural values and the artist's standing within these societal structures? That’s quite interesting! Curator: Indeed. This sketch, seemingly simple, offers insight into the social fabric of its time, revealing the shifting tastes and the burgeoning culture surrounding artistic production and consumption. It really illuminates the museum’s educational goal to explore the intersection of art and society. Editor: I hadn't considered the political context before, I'll be sure to ask better questions next time!