Viehherde mit zwei Hirten, bei einer Steinbrücke durch das Wasser schwimmend 

Johann Georg Pforr painted this watercolor depicting a herd of cattle with two herders crossing a stream, likely in the late 18th century. At first glance, it appears a simple depiction of rural life, however, the bridge is adorned with a statue—a symbol of order amidst nature’s flow. Throughout history, bridges appear as potent symbols of transition and connection. Consider the Roman pontifex, bridge-builders who were also high priests, intertwining the practical with the sacred. Here, the herder's gesture—pointing the way—echoes across time, reminiscent of John the Baptist guiding towards spiritual paths. This act transcends mere herding; it touches upon the primal human need for direction. This imagery evokes a deep, subconscious recognition of guidance, tapping into our collective memory of leaders, both secular and divine. Such gestures recur, evolving, yet rooted in the same archetypal quest for purpose.