Stem glass by Otto Prutscher

Stem glass c. 1910

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glass

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art-nouveau

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glass

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decorative-art

Copyright: No Known Copyright

Otto Prutscher made this Stem glass, now housed in the Minneapolis Institute of Art, with a kind of stripped-down elegance. Look at how he reduces forms to these simple blocks and lines, constructing the glass piece by piece. It's as if he's building something rather than shaping it. The textures here are fascinating - the smooth, reflective surface of the glass, with its subtle changes in color and transparency. The glass has been treated with what appears to be transparent dark ruby or purple enamel. Notice the way the lines are sharp and clear. They give the whole thing a graphic quality. Prutscher's work reminds me a little of artists like Mondrian, who similarly sought to reduce forms to their essential elements, and I am drawn to how the two pieces, though so distinct, share a common spirit of innovation. Art is an ongoing conversation, right?

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Otto Prutscher was born in Vienna and studied under Josef Hoffmann at the Kunstgewerbeschule (Vienna School for Applied Art). He then worked as an architect, decorator, and designer for Hoffmann at the Wiener Werkstätte in Vienna as well as several other manufacturers. For the workshops he designed textiles, glass, leatherwork, metalwork, and furniture. Prutscher's glassware for the Wiener Werkstätte is characterized by the use of the cameo process, whereby a clear glass object is encased with a layer of colored glass. The colored glass is then selectively cut or polished away, revealing the clear glass underneath. Prutscher's glass designs employ the geometric motifs favored by Hoffmann, whose designs are also shown in this case.

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