Bas-reliëf op het altaar voor de heilige Jakobus de Meerdere in de Kathedraal van Pistoia, voorstellende de Annunciatie en de Visitatie before 1864

This print by Franz Kellerhoven captures a bas-relief on the altar of the Cathedral of Pistoia, presenting the Annunciation and the Visitation. The work invites us to consider the religious and social contexts that informed its creation. Kellerhoven, working in the 19th century, reproduced earlier religious artworks for broader distribution. The original relief depicts pivotal moments in the lives of the Virgin Mary and Elizabeth, central figures in Christianity whose stories are often interpreted through a gendered lens, emphasizing their roles as mothers and bearers of divine purpose. The use of gold and the careful depiction of the figures evoke a sense of reverence, reflecting traditional representations of female religious figures. However, the emotional depth conveyed in the Visitation, where Mary and Elizabeth meet, also suggests alternative narratives of female solidarity and strength. This image serves as a reminder of how religious art both reinforces and subtly challenges societal norms, capturing the personal dimensions of faith.