Titelprent met wapenschild, aan weerszijden geflankeerd door een putto, op een muurtje met tekst by Giuseppe Maria Mitelli

Titelprent met wapenschild, aan weerszijden geflankeerd door een putto, op een muurtje met tekst 1663

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print, engraving

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portrait

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baroque

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print

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old engraving style

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italian-renaissance

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engraving

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calligraphy

Dimensions: height 249 mm, width 420 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving from 1663 by Giuseppe Maria Mitelli is called "Titelprent met wapenschild, aan weerszijden geflankeerd door een putto, op een muurtje met tekst." That’s quite a mouthful! The level of detail is impressive. What do you see when you look at this piece? Curator: I’m immediately drawn to the meticulousness of the engraving process itself. Consider the labour involved in creating these fine lines and textures using metal tools. How does the act of repetitive mark-making shape our understanding of the image and its subject? Editor: Well, I hadn't considered it like that... You mean, like, focusing on the physical effort involved rather than just the finished product? Curator: Precisely. And consider its purpose – a title page. What function does this ornate, reproducible image serve? It announces the content, but it also elevates the status of both the commissioner, Leopoldo Medici, and the artist, Mitelli. It's a commercial transaction, visualized. Editor: So, the materiality of the print itself becomes part of the message? Like, its inherent reproducibility and availability? Curator: Exactly! Prints like this facilitated the wider distribution of imagery and ideas. This challenged traditional notions of artistic value being tied solely to unique, handmade objects, shifting the means of art consumption within a changing society. Look closely at the heraldic shield—its creation and reproduction signifies wealth and status in a tangible way. Editor: Wow, I see what you mean. Thinking about the engraving process and its purpose changes everything. It’s not just an image; it’s an object embedded in a social and economic network. Curator: Indeed. Examining the materials, techniques, and how art is circulated helps reveal so much about its cultural context and the power dynamics at play. Editor: That makes me appreciate how material choices impact the meaning of the artwork. I never would have looked at this print the same way!

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