Interieur met gezin by Polynice Auguste Viette

Interieur met gezin 1852

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drawing, print, etching, paper

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portrait

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drawing

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print

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etching

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dog

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paper

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genre-painting

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realism

Dimensions: height 123 mm, width 146 mm

Copyright: Rijks Museum: Open Domain

Editor: This is Polynice Auguste Viette's "Interieur met gezin," created around 1852. It's an etching, so a print on paper, depicting a family scene. It feels intimate, almost claustrophobic, with everyone gathered in what appears to be a small room. What stands out to you about this piece? Curator: What I immediately consider is the production of this image. The use of etching as a reproductive technology democratized images; consider who could afford or access this compared to, say, an oil painting. Think also of the labor involved: the artist, the printer, the potential distributors. Editor: That's interesting. I hadn’t considered that accessibility. Does that make it a “lower” form of art, in a way? Curator: Not necessarily lower, but distinct. It invites us to examine its role within a broader context of materiality and consumption. Where would something like this have been displayed and how were they viewed by different classes? Were these widely consumed images of domesticity helping reinforce a very narrow definition of “family values"? We must understand not just who made it, but who consumed it and how. Note that it's made through printmaking with simple materials on affordable media, which broadens circulation through exchange in ways a unique painting does not. Editor: So, by focusing on the materials and the process, you’re bringing a social and economic dimension to understanding the artwork. Is that right? Curator: Precisely. We’re understanding the print not only as an aesthetic object, but also as a product embedded in a system of production and social relationships. Also, examine closely at the armor included inside the house – why? The artist would like you to reflect on the social commentary here and why it's so critical to the artwork itself. Editor: This makes me appreciate the role of prints so much more – it's not just about the image itself but also the labor and consumption tied to it! Curator: Exactly. Consider the social and labor practices behind art creation beyond just individual artistry, allowing us to consider it in a new light!

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