Pocket canteen (traveling set) by Charles Overing

Pocket canteen (traveling set) 1709 - 1710

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silver, metal, sculpture

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silver

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baroque

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metal

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sculpture

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decorative-art

Dimensions: Overall (case): 5 5/16 × 4 1/4 × 3 1/2 in. (13.5 × 10.8 × 8.9 cm); Height (cup): 3 1/2 in. (8.9 cm)

Copyright: Public Domain

Curator: Good morning! Today, we're exploring a remarkable example of portable luxury: a "Pocket Canteen (Traveling Set)" crafted in silver around 1709-1710. The silversmith, Charles Overing, designed this compact baroque marvel currently housed at the Metropolitan Museum of Art. Editor: Oh, my! What strikes me is its austere elegance; the black leather case contrasts sharply with the gleam of silver instruments, as if masking extravagance within functionality. What were they actually used for, these silver tools? Curator: Indeed, a sophisticated question! This set embodies the height of refined travel for the elite of the 18th century. The fork, knife, and spoon are self-explanatory. The mysterious tools you noticed, these nozzle-like components are believed to have been used as drinking vessel adapters for imbibing different liquids while on the road. Editor: How incredibly elaborate for what appears merely functional! It's such a deliberate assembly of tools--necessities reimagined as signs of status. Were there deeper meanings invested in carrying one's own customized set around? Curator: Absolutely! Portable sets like these weren't mere utilitarian items. Consider it a manifestation of control and assertion of civilized identity amidst what would be viewed as 'uncouth' environments. Baroque-era nobles believed dining and drinking to specific codes reinforced their superiority and distinguished them. Editor: So the symbols reflect broader anxieties, class posturing playing out on the dining table, everywhere, through everyday rituals... A display kit! Imagine the quiet drama of unfolding this collection—asserting, "I am prepared. I am civilized." It does resonate still with contemporary high-end travel accessories. Curator: You've nailed its emotional crux—this is about psychological comfort through symbolism, wouldn't you say? Possessions becoming symbolic of identity, civilization a sort of symbolic currency when one travels outside one’s bubble. Editor: It certainly complicates this shiny travel set with weighty cultural codes. A glimpse into an era when every action, however simple, turned theatrical, carrying heavy connotations about oneself and one's status. I look at this traveling set differently, imagining my little world of cultural presumptions accompanying me on the go. Thanks for enlightening me today!

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