Fotoreproductie van een gefotografeerd portret van de kinderen van Van den Brandeler by Hendrik Herman van den Berg

Fotoreproductie van een gefotografeerd portret van de kinderen van Van den Brandeler before 1894

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photography

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portrait

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still-life-photography

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photography

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group-portraits

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realism

Dimensions: height 109 mm, width 80 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a photographic reproduction of a portrait, dating from before 1894, entitled 'Fotoreproductie van een gefotografeerd portret van de kinderen van Van den Brandeler'—or, roughly, 'Photographic Reproduction of a Photographed Portrait of the Children of Van den Brandeler'. It gives off this very formal, almost solemn vibe to me. What do you make of it? Curator: It certainly does carry a weight of formality, doesn't it? The children’s stillness, the precise lighting – it's all carefully orchestrated. But beyond that surface, I sense something else, perhaps a longing for permanence, a desire to capture these fleeting moments of childhood before they vanish. Look at the way the older child protectively places his arm around the younger one. What does that evoke in you? Editor: A sense of protectiveness, definitely, but also maybe the constraints of social expectations? Curator: Precisely! The stiff posture could suggest they're performing a role as much as they're being themselves. Photography in that era was still a relatively new medium. Think of it not just as a snapshot, but as a constructed image meant to convey specific ideas about family and status. Editor: So, it’s like they’re enacting a tableau vivant? I hadn’t considered that. Curator: Exactly! Each element is carefully chosen and positioned to project a particular image. We could ponder how photography influenced and mirrored the aspirations of bourgeois families at the time. Editor: This makes me wonder about all the layers and how what seems initially straightforward has so much intention and many underlying assumptions. Curator: It’s like peeling back the layers of an onion, isn’t it? Each layer reveals a different perspective, and it all contributes to the overall meaning of the artwork. Thanks for taking this brief reflective pause to consider the implications, and for considering photography in its infancy and what a constructed photograph might represent!

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