Curatorial notes
Dominique Appia made this ‘Untitled’ image, probably in Switzerland, using an unknown medium. It depicts a vast greenhouse, a ‘palais’ as the text suggests, filled with a variety of exotic plants. Greenhouses like this one, especially in the 20th century, represent more than just a space for plants. They symbolize a specific relationship between humans and nature, one where humans exert control. The architectural precision, combined with the curated, almost theatrical display of plant life, speaks to a desire to classify, control, and showcase the natural world. This resonates with a history of colonialism, where the act of collecting and displaying exotic plants was closely linked to imperial power and botanical institutions. As historians, when we look at this image, we can consider the political dimensions of gardens and scientific institutions. By researching the history of similar structures, their purpose, and the social context, we gain a far deeper understanding of the complex interplay between art, culture, and power.
