Coffeepot by Alexander Petrie

silver, wood

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silver

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wood

Dimensions: 10 1/4 x 9 3/8 x 4 5/16 in. (26.04 x 23.81 x 10.95 cm)

Copyright: Public Domain

Editor: We're looking at a coffeepot crafted around 1755 by Alexander Petrie. It combines silver and wood, and honestly, it feels almost austere despite the flourishes in its design. What catches your eye in this piece? Curator: You know, austere is a great word for it. It whispers elegance rather than shouting it, doesn't it? What I see is a carefully considered dance between practicality and status. Think about it – the dark, heat-resistant wood handle contrasting with the gleaming silver body. That juxtaposition isn't accidental. Petrie wasn’t just making a coffeepot; he was making a statement about refinement, about having the means to enjoy such a luxurious everyday object. Does it trigger other images or thoughts? Editor: I suppose it brings to mind wealthy landowners. It feels less about the actual coffee and more about… social rituals. Does the design itself tell us something about that? Curator: Absolutely! Notice the delicate engravings, that subtle fluting. These are the visual cues, aren’t they? Almost a secret language understood only by those within a certain social sphere. Can you imagine the conversations swirling around this very object, the deals struck, the gossip exchanged over steaming cups of coffee? For me it becomes less about the object itself, and more about a vessel through which the human stories flow. Editor: I see it now— it is like this humble piece encapsulates entire eras. Thank you! Curator: And thanks to you! That kind of close observation enriches the piece; suddenly a simple coffeepot brews so much more than coffee!

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Tea was the hands-down favorite hot drink in Britain’s North American colonies, partly because coffee, which had to be ground, required more effort to brew. But for wealthy households with servants or enslaved labor, serving coffee could be a subtle show of wealth and social station. That may have been one reason the original owners of this pot commissioned it. The silversmith, Alexander Petrie, worked in in Charleston, South Carolina.

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