Ceramic Jar by Kitaōji Rosanjin

Ceramic Jar c. 20th century

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drawing, paper, ink-on-paper, ink

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drawing

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water colours

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asian-art

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charcoal drawing

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paper

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abstract

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ink-on-paper

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ink

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geometric

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watercolor

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calligraphy

Dimensions: 13 × 11 3/4 in. (33.02 × 29.85 cm) (image)

Copyright: No Copyright - United States

Kitaōji Rosanjin made this "Ceramic Jar" using ink on paper sometime in the mid-20th century. The ink here is so fluid, it’s like the jar is melting right before our eyes. See how the black lines pool and drip, giving the jar a sense of weight and volume, yet also suggesting it’s ephemeral, like a fleeting thought. The texture of the paper peeks through, adding a layer of grit and earthiness to the image. Look at the bottom of the jar; the ink bleeds out, creating a soft, blurry edge. It’s like the jar is sinking into the paper, becoming one with the ground. Rosanjin’s work reminds me a bit of Cy Twombly, in the way both artists embrace imperfection and celebrate the messy, unpredictable nature of the creative process. With a piece like this we’re reminded art is an ongoing conversation, always changing, always open to new interpretations.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Kitaōji Rosanjin had already earned a reputation as a talented calligrapher when he became famous for his ceramics, which revived a variety of Japanese, Korean, and Chinese styles. His versatility and ability to quote different styles without being derivative set him apart from other modern potters. His deep knowledge was the result of operating an antique shop and gourmet club in Tokyo from 1920–1925. In 1925, he built his own kiln (Hoshigaoka) and started to produce tableware. Together with his assistant Arakawa Toyozō, who joined him in 1927, he initiated the first ceramic excavations in the 1930s.

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