Twee rijen met drie hoofdgestellen 1636

This print shows fragments of cornices, made with ink on paper by an anonymous artist. Here, the artist has arranged two rows of three cornices each, with meticulous attention to line and detail. The use of ink allows for fine lines and intricate patterns, essential for capturing the details of architectural elements. The choice of paper as a ground emphasizes the design's portability. This print would have circulated widely as a pattern for use in design. This piece also speaks to the value of skilled craftsmanship in architectural design. The work would have aided less skilled masons, and ensured the widespread presence of classical design elements. By focusing on such architectural components, the artist prompts us to consider the labor, politics, and cultural values embedded in our built environment.