Landschap met visser en roeiboot by Adolf Carel Nunnink

Landschap met visser en roeiboot 1867 - 1874

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print, etching, graphite

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print

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impressionism

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etching

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landscape

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graphite

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monochrome

Dimensions: height 264 mm, width 351 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Landscape with Fisherman and Rowing Boat," an etching in monochrome by Adolf Carel Nunnink, created between 1867 and 1874. It’s currently held at the Rijksmuseum. Editor: It strikes me immediately as a rather melancholic scene. The grey scale, the quiet stillness of the water... there's a sense of isolation even with the human figure present. Curator: That's a fascinating observation. Consider the symbols present – the fisherman alone, suggesting patience but also perhaps solitude, contrasted by the rowing boat hinting at journey or escape. Even the overcast sky contributes, laden with latent feeling. Editor: Latent feeling, precisely. The etching process itself feels relevant here, a process of patient removal, isn’t it? Layer upon layer of material worked away. It's interesting to consider the economic accessibility of a print like this in relation to a unique oil painting; more people could perhaps access this emotional landscape via a less exclusive art form. Curator: A vital point! This connects directly to the rise of impressionism. Think of landscape's inherent ties to concepts of nationhood and belonging. This tranquil scene invites a contemplative engagement with the natural world, echoing sentiments found in poetry and music of the period. There’s an undeniable sense of Dutch identity rooted in the depiction of its serene waterscapes. Editor: And the flatness. He’s playing with this limited palette, emphasizing tonal variation on a shallow depth. Nunnink's material engagement reveals the nuances of water, light, cloud through subtractive processes and in so doing he’s democratizing something about accessing “the sublime”. Curator: An eloquent insight! Reflecting upon this etching, I see a window into the soul of the Dutch landscape tradition – it evokes reflection on how our feelings can be subtly but powerfully encoded through visual means. Editor: Indeed. Seeing the work through your lens makes me rethink this method of accessing something precious but widespread in social terms. It’s been a helpful exchange.

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