Blazoen van De Lelikens uten Dale (Zoutleeuw), 1561 by Anonymous

Blazoen van De Lelikens uten Dale (Zoutleeuw), 1561 1561 - 1562

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drawing, print, engraving

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drawing

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medieval

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allegory

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print

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figuration

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line

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islamic-art

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history-painting

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engraving

Dimensions: height 217 mm, width 153 mm

Copyright: Rijks Museum: Open Domain

Curator: Welcome. Here we have "Blazoen van De Lelikens uten Dale (Zoutleeuw)," an engraving from around 1561, a fantastic example of late Medieval printmaking. Editor: There's a severity here, a starkness. The crisp lines, the clear divisions of space… it feels almost theatrical, presented within that architectural frame. Curator: Precisely. Note the use of line, the density of hatching to create depth and shadow. It is masterful, especially considering the constraints of the engraving medium. Editor: The medium dictates the message here. Printmaking in the 16th century involved arduous labor, apprenticeships, precise tools and specific social function. I can only begin to imagine the production process—from the original design to the labor of cutting into the copper plate. Curator: Indeed, the craftsmanship is self-evident. Structurally, the piece presents a clear allegory, does it not? We have the figures surrounding the world; what are they holding? Editor: A scythe, keys... emblems of power, control, fate. It reminds us that, back then, printed images like this played a huge role, informing and influencing people's beliefs, shaping their perceptions of authority. I wonder about the paper and the inks themselves. Where did they come from? Who controlled those resources? Curator: Interesting lines of inquiry. Now, structurally the piece is balanced by using figures on both sides of the globe. Consider the interplay of vertical and horizontal lines within that balance—they lend stability. Semiotically the figures and instruments evoke a strong symbolic impact. Editor: It is really remarkable, understanding these art objects are always, inherently material things deeply intertwined with social and historical forces of the day. Curator: Yes, so very precise and exact. One really can examine its beauty in the use of line and symbolic arrangement alone. Editor: This print reveals more than initially meets the eye when we explore both form and fabrication together, opening avenues for analysis that span craftsmanship to broader systems of power.

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