engraving
portrait
baroque
figuration
line
engraving
Dimensions: height 272 mm, width 212 mm
Copyright: Rijks Museum: Open Domain
William Sherwin created this portrait of Hadriaan Beverland using a mezzotint technique. The oval composition invites you to contemplate the interplay between light and shadow, which models the face and luxurious wig. The texture evokes a rich sensory experience. The formal structure of the portrait—its controlled lines and tonal gradations—conveys specific meanings. The oval frame, seemingly held by carved hands, creates a liminal space between the viewer and the subject. This threshold invites the viewer to engage with Beverland not merely as a figure but as an entity mediated through artistic representation. The Baroque opulence in the curls and lace contrast with the somber background. This tension embodies the complexities of identity and representation of the self in the 17th century. The contrast challenges fixed meanings, urging the viewer to question constructed images. Consider how the formal elements serve as cultural signifiers, reflecting the intellectual currents that shaped both the artist and his subject.
Comments
In this later portrait, the focus is on Beverland’s serious, learned side. The title J.U.Q.D. (Juris utriusque doctor) after his name refers to his doctorate in both types of law (Roman civil law and canon law). The pronouncement ‘jugez du reste’ (you can imagine the rest) may well be a subtle hint to Beverland’s bad-boy reputation.
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