Saint Claude c. 17th century

Curator: Jacques Callot, born in Nancy, France, around 1592, created this print, "Saint Claude." I see it's held in the Harvard Art Museums collection. What strikes you first about this small, intricate work? Editor: The stooped posture of Saint Claude really conveys a sense of humility and quiet contemplation. Given that Claude was known for renouncing his wealth and position, this image seems to highlight the performative aspect of piety. Curator: Absolutely, and it's interesting to consider the intended audience. Callot often catered to the nobility. Is this a way of subtly challenging their own relationship to material wealth through the guise of religious reverence? Editor: It’s plausible. The composition definitely invites that reading, especially when we consider the ways religious imagery was used to negotiate power dynamics. And, well, the fine detail is exquisite – a testament to Callot's mastery of etching. Curator: His use of line is just breathtaking. I wonder what Saint Claude himself would make of this portrayal, centuries later. Editor: I imagine he’d see it as another step in the ongoing negotiation of his legacy.