Soldaten in Shanghai voor het diamanten jubileum van Victoria van het Verenigd Koninkrijk by W.R. Kahler

Soldaten in Shanghai voor het diamanten jubileum van Victoria van het Verenigd Koninkrijk 1897

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print, photography, albumen-print

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print

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photography

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orientalism

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albumen-print

Dimensions: height 264 mm, width 175 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have “Soldaten in Shanghai voor het diamanten jubileum van Victoria van het Verenigd Koninkrijk,” or, “Soldiers in Shanghai for the Diamond Jubilee of Victoria of the United Kingdom,” created in 1897 by W.R. Kahler. They’re albumen prints presented side by side within a bound book. The sepia tones and the rigid formality of the scenes feel very much of their time, hinting at both imperial power and photographic constraints. What historical weight do you find embedded in these images? Curator: Indeed. I’m struck by how the images, seemingly simple portraits, carry a dense symbolic load. Look closely at the positioning of the soldiers, the stark landscapes, and consider what these choices convey about power and control. Kahler wasn’t just documenting; he was curating a particular narrative of British presence in Shanghai. Editor: So the photographs are acting as symbols themselves, standing in for something larger. Curator: Precisely! Consider the Diamond Jubilee, a celebration of Queen Victoria's reign, staged here in Shanghai. The soldiers aren’t simply soldiers; they are embodiments of British authority, their placement within the frame reinforcing the empire's reach. What stories are embedded in such carefully arranged tableaux? Editor: It's a bit unsettling to think about how staged these "real-life" moments probably were. Does the inclusion of landscape elements soften or amplify the sense of imperial power in this context? Curator: That's a astute question. The landscape, though seemingly passive, becomes complicit. It underscores the vastness of the territory “managed” or controlled by the British Empire, suggesting a kind of natural order or right to be there. Each element of the photograph becomes a signifier within a larger system of colonial visual rhetoric. Editor: It’s fascinating how much intention and cultural meaning can be packed into seemingly straightforward documentary photographs. I'll certainly look at similar images with a more critical eye moving forward!

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