Etude de mains II 

Narcisse-Virgilio Diaz made this study of hands in an unknown year, using a sanguine crayon. The reddish color comes from iron oxide, the same compound that gives rust its hue. This material would have been favored for its earthiness. Notice how the crayon creates a soft, almost chalky texture on the paper. Diaz likely chose this medium because it allowed him to achieve subtle gradations of tone, capturing the delicate anatomy of the hands. The study is a testament to the importance of practice in mastering artistic skill. But beyond technical proficiency, this drawing celebrates the hand itself – a tool for labor, creation, and expression. It bridges the gap between the artist's studio and the broader world of human activity. By focusing on the hand, Diaz reminds us that art is not just about the finished product, but also about the process and the labor that goes into it.