Landskab med køer by Joakim Skovgaard

Landskab med køer 1877

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drawing, pencil

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drawing

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pencil sketch

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landscape

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pen-ink sketch

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pencil

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realism

Dimensions: 95 mm (height) x 156 mm (width) (bladmaal)

Curator: Here we have Joakim Skovgaard's "Landskab med køer", a pencil drawing from 1877. Editor: The quietude is palpable. It's amazing how much atmosphere is created with such economy of line. You can almost feel the stillness of the landscape. Curator: Skovgaard’s subtle application of line and tone indeed draws the eye through the composition, creating depth with minimal markings. Editor: It speaks volumes about the materiality of art making too; pencil on paper, accessible yet so powerful. Imagine Skovgaard, perhaps right there in the field, capturing the scene. Was it a working sketch or intended as a stand-alone piece? What conditions of labor enabled such pastoral scenes, reflecting land ownership and societal structures? Curator: It's tempting to see it as preliminary study given the nature of pencil work as medium often associated with sketches. Notice however the detailing given to light falling on the cows – see how carefully defined their shapes are as opposed to the building to their left! It gives these cows – archetypal symbols – a definite prominence within overall aesthetic program. Editor: The "symbols," you say? The labor of the creatures in relation to pastoral society. I wonder, what did these working animals mean at that period? What were conditions surrounding lives that Skovgaard was rendering so lightly onto the page? Curator: A provocative consideration. However it might also point instead towards an emerging sense naturalism within Danish landscape painting. Skovgaard focuses foremost upon objective study capturing reality; it is almost documentary. Editor: And yet we are projecting ideas, ideologies, human interpretations, *meanings*, all our social frameworks onto Skovgaard’s vision; how objective can it ever really be? Perhaps an invitation towards thinking around rural life via material process. Curator: Ultimately, regardless, it still stands today - as delicate but potent example graphic skill combining with poetic sentiment through landscape motifs Editor: A moment, a method, materials all combining towards reflecting broader world - not bad for simple drawing, no?

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