Gezicht op het Mansion House te Londen by Anonymous

Gezicht op het Mansion House te Londen Possibly 1751 - 1758

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drawing, watercolor

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drawing

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watercolor

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coloured pencil

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cityscape

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genre-painting

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mixed medium

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mixed media

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watercolor

Dimensions: height 239 mm, width 397 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this delightful cityscape is called "Gezicht op het Mansion House te Londen," or "View of the Mansion House in London," and was created sometime between 1751 and 1758 by an anonymous artist. It's a drawing using watercolor, and I'm immediately struck by the sheer bustle of the street scene, and the architectural detail. What captures your attention when you look at this piece? Curator: Oh, what a charming snapshot of 18th-century London! For me, it’s like peering through a time portal. That delicate watercolor technique… it's almost as if the artist was trying to capture the very essence of the city, the air itself. See how the light touches the classical facade of the Mansion House, yet also hints at the gritty reality of the street below? Do you feel that tension between grandeur and everyday life? Editor: I do, now that you mention it! It's almost like two different worlds coexisting. The imposing architecture, so meticulously rendered, and then this vibrant chaos in the street. It is an interesting way to convey the essence of London. Curator: Exactly! And the artist has done this little dance between accuracy and imagination. Notice how the perspective sort of… wavers? It's not perfectly photorealistic, which gives it a kind of dreamy, slightly skewed quality, wouldn’t you say? Editor: I see that! It gives it a unique kind of charm. The buildings almost seem to lean towards each other as if whispering secrets. Curator: Yes, wonderfully put! Makes you wonder about the story of the anonymous artist as well, doesn't it? What made them want to capture this particular view, at this particular time? It makes me consider where I was during different snapshots in time, as well. I suppose that's why these are called 'old masters' anyway, we can revisit time. Editor: I hadn't thought about it that way. Thank you for offering new lenses to see such a beautiful piece!

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