Narcissus

Georges Reverdy created this print of Narcissus sometime in the 16th century. Reverdy, working in the Renaissance period, taps into the themes of classical mythology which were undergoing a revival at this time. Here we see two scenes from the tragic tale of Narcissus, framed in decorative borders. In the upper scene a reclining woman gazes into a mirror, while below, Narcissus stares at his own reflection in the water. The story of Narcissus is often interpreted as a cautionary tale about vanity and self-obsession. But consider the emotional complexities present here. Is it merely vanity that binds Narcissus to his reflection, or a deeper longing for recognition and understanding? What do the different ways of looking at oneself tell us about the construction of identity? This piece suggests both the allure, and the potential dangers, of self-regard.