Detroit (Ragsdale Beauty Shop) after 1951

Editor: Harry Callahan's "Detroit (Ragsdale Beauty Shop)" presents a somewhat faded storefront. There's a compelling interplay of light and shadow. What stands out to you compositionally? Curator: Note the division of the picture plane; Callahan has created a composition that hinges on the interplay between geometric forms and the softening effect of light. Observe how the geometry of the barber pole plays against the organic curvature of the neon sign. Editor: That's a great point, I can see how the arrangement of the shapes really creates a compelling image. Curator: Indeed, it's in these formal relationships that Callahan elevates the ordinary to a subject of artistic merit. The juxtaposition of the illuminated signs against the subdued background. Did you notice the number 618 repeated three times? Editor: I hadn't, that repetition adds another layer to the composition. Thank you! Curator: A keen eye for detail allows one to perceive the subtle intricacies woven into Callahan's work.