The river by Nikos Hadjikyriakos-Ghikas

The river 1966

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mixed-media, acrylic-paint

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abstract-expressionism

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abstract expressionism

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mixed-media

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organic

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landscape

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acrylic-paint

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organic pattern

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abstraction

Copyright: Nikos Hadjikyriakos-Ghikas,Fair Use

Curator: Nikos Hadjikyriakos-Ghikas, a prominent figure in 20th-century Greek art, created this piece, titled "The River," in 1966 using mixed media including acrylic paint. Editor: The overall mood is strangely unsettling, almost as if the water's surface is concealing something darker underneath. The color palette, primarily blues and greys, definitely contributes to that sense of unease. Curator: It's intriguing how Ghikas blends abstraction with recognizable organic forms. There’s a rhythmic interplay between representation and pure color. Consider the visual metaphor of the river itself – often, a potent symbol representing the passage of time, change, and even the subconscious. Editor: I see that interplay too, but I’m immediately struck by the almost oppressive patterns, not necessarily the metaphor. The river is an idyllic symbol often, but Ghikas presents it more as a site of potential conflict. Curator: The patterns certainly create an interesting tension. Repetition in art, and especially repetitive patterns emulating nature, can echo themes of creation and the eternal cycle. However, there's also something inherently unsettling in the way patterns, when rigid, can represent control, imposed structures, the loss of freedom... Editor: Exactly! I find it difficult to look past the political context of 1966. Greece was navigating a very precarious political environment. An almost two-year period of governmental instability preceding a coup d’état a year after this painting was completed. Are those rigid water patterns or perhaps a symbolic expression of stifled voices? Curator: The psychological tension present here seems a deliberate attempt to tap into collective anxieties about change, stagnation, and transformation during that period. It is so deeply embedded within cultural memory. Editor: Absolutely. By exploring the tension, Ghikas created a visual metaphor that holds power across different eras and is particularly pertinent during the political upheaval occurring at the time. Curator: Considering its title, "The River", and these many underlying meanings, I will reflect a little more on how these fluid brushstrokes manage to both represent and disrupt expectations regarding representations of change and the human story within it. Editor: This river makes you wonder if one era is passing into another. I would need a bit more time with it before deciding what sort of activism or action this river inspires.

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