Planteskitser. Farveangivelser by Niels Larsen Stevns

Planteskitser. Farveangivelser 1930 - 1936

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drawing, pencil

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drawing

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organic

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landscape

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pencil

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watercolor

Dimensions: 226 mm (height) x 185 mm (width) x 112 mm (depth) (monteringsmaal), 218 mm (height) x 283 mm (width) (bladmaal)

Editor: We're looking at "Planteskitser. Farveangivelser" by Niels Larsen Stevns, created sometime between 1930 and 1936. It’s a pencil drawing with watercolor, and it feels like a very intimate glimpse into the artist's notebook. What do you see in this piece, from your perspective? Curator: This unassuming sketch offers a fascinating insight into the artistic process of Stevns and the broader context of nature studies in the early 20th century. We see not just representations of plants, but annotations—color indications and descriptive terms—embedded directly within the drawing. What does this tell us about the role of direct observation in his practice? Editor: I guess it suggests a real dedication to accurately capturing nature and documenting his observations. Almost like scientific study, wouldn’t you say? Curator: Precisely! And that immediately directs our attention to its historical importance. How might the emphasis on organic forms and natural environments in the art of the period reflect broader social or cultural concerns, perhaps anxieties or yearnings related to industrialization and urbanization? This sketch becomes more than just a botanical study; it reflects a particular moment. Do you agree? Editor: I totally see that. The contrast between industrial growth and the peace of nature... almost like a political statement without explicitly being one. So the act of sketching and meticulously annotating plants, becomes almost an act of resistance? Curator: Indeed! Moreover, the setting—a sketchbook page with visible lines—suggests the intimate and immediate nature of the work, hinting at questions of access, ownership, and artistic intention. It's a look behind the scenes. Editor: This has completely transformed my view of this simple sketch. I initially saw it as just a preliminary study, but now I understand the broader context it represents, socially and historically. Thanks. Curator: The joy is mine, I never thought a plant drawing could teach so much about artistic commitment.

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