Jacob Schaefer, Champion Billiardist, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co. 1887

Editor: This is "Jacob Schaefer, Champion Billiardist," a print made in 1887 by W.S. Kimball & Co. What strikes me is its size and the juxtaposition of Schaefer’s large portrait with the small scene of him playing billiards. It feels almost like a humorous exaggeration of fame. What’s your take on it? Curator: It’s interesting you point out the humor, which is often missed. Consider the context: this was a time of rising industrialization and shifting social hierarchies. These “Champions” cards, seemingly innocent, functioned within a complex system of commercialism and social aspiration. Who was included, and who was not? These choices reinforce the white, masculine image as a dominant narrative. Editor: So, this isn't just about celebrating a billiard player? Curator: Exactly. It's about understanding what that celebration represents. What values are being promoted, and whose stories are being excluded in this champion's depiction? We can ask: what was the social climate towards immigrants at this time? Were they afforded the same champion status as white American men? The answers help unpack hidden messages in seemingly simple artworks like this one. Editor: That makes me see it in a completely different light. It’s much more than just a portrait. Curator: Precisely. By examining these historical contexts, we can have an eye opening conversation. Editor: This really broadened my perspective, I’ll definitely look at art with new eyes. Curator: I am glad you see the power of contextualization. Thank you.