Zicht op de Phasaël-toren in Jeruzalem 1846

Adrien Dauzats created this lithograph of the Phasaël Tower in Jerusalem at an unknown date. Lithography is a printmaking process that relies on the contrast between oily and water-based substances. The image is drawn on a flat stone or metal plate with a greasy crayon, then treated with acid and gum arabic. When the surface is wet, the water adheres to the non-greasy areas, while the oily ink sticks to the drawn image. The appearance of this print is largely influenced by the lithographic process, and the artist's skillful manipulation of the crayon to create nuanced tones and textures. The process allowed for a relatively quick reproduction of images, making them more accessible to a wider audience. Dauzats' lithograph is a testament to the fusion of art and industrial processes, where the artist's hand and the capabilities of mechanical reproduction come together to create a compelling image. It’s a reminder that even in fine art, materials, making, and social context all contribute to the work's ultimate meaning.