pencil drawn
toned paper
light pencil work
pencil sketch
charcoal drawing
charcoal art
pencil drawing
coloured pencil
watercolour illustration
watercolor
Dimensions: height 103 mm, width 63 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have an ambrotype, "Portret van twee meisjes in geruite jurken met hoeden," dating from 1862 to 1868, attributed to Christiaan Marcussen. My first thought? These matching plaid dresses create a captivating sense of formal, geometric order. Editor: The stark plaid certainly leaps out, demanding attention. But to me, those severe dark triangles marching along the hem evoke something much less comfortable – a hint of repressed energy, even… foreboding. The somber lighting enhances that. Curator: An interesting perspective. But focus on how the matching dresses, with the grid-like precision of the plaid, emphasize symmetry. Note, also, the identically posed figures and how the tonality itself reinforces the pictorial elements of formal balance. Editor: Still, the uniformity has a disquieting effect. The plaid dresses are almost like uniforms and paired with those somewhat menacing triangles, could reference a regimented social order or a lost language of secret signs, or even suggest vulnerability under the constraints of societal expectation. Curator: Perhaps. However, I see these choices emphasizing unity and a deliberate construction that speaks volumes. Observe the tight tonal range achieved with pencil work. Marcussen masterfully manipulated light, revealing texture and dimension while controlling and ordering what otherwise may have descended into chaos. Editor: Certainly the image construction does have power, but it's power that amplifies other, deeper messages, as when girls’ fashion trends symbolized moral messages, particularly those virtues desired to cultivate young girls' personalities and future conduct as adults. In this period, the hats and outfits could point towards notions of beauty and respectability. What else could be in those baskets they carry, held by each figure as their likeness reflects. Curator: Fascinating! I hadn’t considered that layer, yet, of course, the artist worked with all these ideas, as is the genius of art and its lasting potential for interpretation. Editor: Absolutely. It reminds us that visual details offer endless portals into past assumptions and expectations.
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