Speculum Romanae Magnificentiae: Plan of Ancient Rome 1530 - 1580

This is Pirro Ligorio's "Plan of Ancient Rome," printed sometime in the 16th century. It's an engraving, meaning the design was incised into a metal plate, likely copper, and then printed onto paper. The process yields a sharp, precise image, perfect for architectural detail. The material of the print itself—paper and ink—also speaks to a moment of increasing literacy and the rise of print culture. Making an engraving like this was labor-intensive, demanding skill in both drawing and metalworking. Look closely, and you can see the careful, deliberate lines that create a sense of depth and texture. This wasn't just a technical exercise; it was a way of mapping knowledge, both literally and conceptually. Ligorio, as an antiquarian, was deeply invested in Rome's classical past. This map is a product of careful study, and reflects his effort to reconstruct the ancient city in the present. The "Plan of Ancient Rome," isn’t just a map; it's a testament to the power of skilled handwork, and to the cultural work of preservation.